Envisioned as a full-length feature film, or even as a stage play with live music and performances of music written by Mendelssohn, Bartholdy is the story of the entire life of Felix Mendelssohn. All the elements for a major production are present, including passion, intrigue, jealousy, bigotry, sex, crime, personal successes and struggles – not to mention the beauty of recreating Europe in the first half of the 19th Century. Reading it will probably give the best insight into the totality of Mendelssohn’s life than any other part of this website. Great care was taken not to stretch truths. And where a few sentences of suggested dialogue are included, at least part of that dialogue is taken directly from an existing letter.
The title Bartholdy was chosen because it was the Christian name which Mendelssohn’s father, Abraham, added to the family when Felix was a child to minimize the family’s Jewish heritage in an attempt to avoid racial persecution. Its use was a source of heated family debate until Abraham’s death in 1835. Felix tended to not want to use it, but his father passionately insisted otherwise.
For The Mendelssohn Project, the name Bartholdy has come to symbolize the religious struggles, both internal and external, which Felix endured his entire life, and the persecution which manifested itself both during his life, as well as long after his death.
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Druid is a narrative recounting and staging of one of Felix Mendelssohn’s great compositional masterpieces, Die erste Walpurgisnacht, based on a poem by the cultural icon, Goethe. It explores an ancient conflict between Christians and pagans – celebrating the latter. Walpurgisnacht remains one of Mendelssohn’s most famous compositions, and its commentary on bigotry and its satirical approach to institutionalized religion will resonate well with many sectors of latter-day society. Mendelssohn’s music is 35-minutes long, and the original concept of this treatment is that it could lend itself well to a television production, although the story could well be expanded to a feature-length presentation – especially if it expands on the issues and cultural intolerance that gave rise to the story’s literal conflict between early Christianity and paganism.
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This treatment was written with a 45 to 75 minute television production in mind, and centers on the convergence of elements which contributed to Felix Mendelssohn’s death at the young age of 38.
The title, It Is Enough, is taken from the aria of that name from his great, last, oratorio, Elijah.
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My Cécile deals with the courtship of Felix Mendelssohn and Cécile Jeanrenaud, culminating in their marriage. It is a beautiful, and true, love story.
Their early relationship offers outstanding material for a feature film cast as a Victorian romance.
The trials and difficulties of their marriage are not included in this treatment, but could certainly be added as well, if desired.
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